Publications
Empagliflozin improves vascular insulin sensitivity and muscle perfusion in persons with type 2 diabetes
Linda Jahn, Lee Hartline, Thi Nguyen, Kevin Aylor, William Horton, Zhenqi Liu, Eugene Barrett
(2024), Vol. 326, pp. E258-E267, AMERICAN JOURNAL OF PHYSIOLOGY-ENDOCRINOLOGY AND METABOLISM, C1
An ethical engagement: creative practice research, the academy and professional codes of conduct
Kate MacNeill, Barbara Bolt, Estelle Barrett, Megan McPherson, Marie Sierra, Sarah Miller, Pia Ednie-Brown, Carole Wilson
(2021), Vol. 17, pp. 73-86, Research Ethics, London, Eng., C1-1
Memory image matter: trauma and acts of unforgetting
E Barrett
(2017), Vol. 16, pp. 1-22, Studies in material thinking, Auckland, New Zealand, C1
Abjection and ambiguity in the works of Catherine Bell
E Barrett
(2016), pp. 130-143, Abject visions: powers of horror in visual art and culture, Manchester, Eng., B1
Re-positioning traditional craft: knowledge affect and social identity
E Barrett
(2016), pp. 36-41, Repositioning folklore and Indigenous knowledge systems, Odisha, India, B1
Relationality and ethical know-how in Indigenous research
E Barrett
(2016), pp. 1-15, iDARE 2016 : Proceedings of the Creative Arts and the Ethics of Innovation Conference, Melbourne, Victoria, E1
Guidelines and principles for pre-ethical approaches to Indigenous Australian research
E Barrett, B Martin, J Koolmatrie, D Dank, D swan, C creed, M Stephens, A Matthews, B Webb, L Solomon, D Gilson, D Toby
(2016), pp. 1-3, 2016: Proceedings of the Art Ethics and Indigeneity Symposium, Melbourne, Victoria, E1
Materiality, language and the prduction of knowledge art, subjectivity and Indigenous ontology
E Barrett
(2015), Vol. 21, pp. 5-14, Cultural studies review, Sydney, Australia, C1
Materiality, Language and the Production of Knowledge Art, Subjectivity and Indigenous Ontology
Estelle Barrett
(2015), Vol. 21, pp. 101-119, CULTURAL STUDIES REVIEW, C1-1
Memory, image, matter: trauma and acts of un-forgetting
E Barrett
(2015), pp. 1-1, NewMats 2015 : Transversal Practices: Matter, Ecology and Relationality : Proceedings of the New Materialisms 2015 International Conference, Melbourne, Vic., E1
Abjection, affect and othering through art
E Barrett
(2015), pp. 1-10, Papers from the Kristeva Circle 2015 Meeting, Memphis, Tennessee, E1
Situating creative arts research as 'successor science'
E Barrett
(2014), pp. 51-66, Doctoral writing in the creative and performing arts, Oxfordshire, U. K., B1
Introduction : Extending the field : Invention, application and innovation in creative arts enquiry
E Barrett
(2014), pp. 1-22, Material inventions applying creative arts research, London, Eng., B1
Re-�positioning traditional craft: knowledge affect and social identity
E Barrett
(2014), pp. 1-10, IFC 2014: 38th Indian Folklore Congress. Folklore and the status of knowledge systems among the tribal communities of India, Centurion University of Management and Technology, India, E1
Materiality, affect, and the aesthetic image
E Barrett
(2013), pp. 63-72, Carnal knowledge: towards a 'new materialism' through the arts, London, England, B1
Beyond the cooked and the raw: abjection and art as transgression
E Barrett
(2013), Vol. 1, pp. 6-19, Zetesis, Birmingham, Eng., C1
Aesthetic experience and innovation in practice-led research
E Barrett
(2010), pp. 1-9, ACUADS 2010 : Proceedings of the Australian Council of University Art and Design Schools : A View into the Future of Australian Art and Design Schools, Launceston, Tas., E1-1
Memory, photography, and the politics of abuse : the ambiguous nature of photography
E Barrett
(2009), Vol. 1, pp. 16-30, Australasian journal of artshealth, Newcastle, N.S.W., C1
Foucault's 'What is an author' : towards a critical discourse of practice as research
E Barrett
(2007), pp. 135-146, Practice as research : approaches to creative arts enquiry, London, England, B1
E Barrett
(2007), pp. 159-164, Practice as research : approaches to creative arts enquiry, London, England, B1
Introduction : art as the production of knowledge
E Barrett
(2007), pp. 1-13, Practice as research : approaches to creative arts enquiry, London, England, B1
Studio enquiry and new frontiers of research
E Barrett
(2007), Vol. 1, pp. 1-2, Studies in material thinking, Auckland, N.Z., C1
Experiential learning in practice as research: context, method, knowledge
E Barrett
(2007), Vol. 6, pp. 115-124, Journal of visual art practice, Bristol, UK, C1
All that is solid melts into air : recent paintings by Barbara Bolt
E Barrett
(2007), pp. 1-5, NoneNone, Melbourne, Vic., J2
Descant : unlocked tongues [exhibition catalogue]
A Iggulden, E Barrett
(2006), pp. 1-2, Descant : unlocked tongues - Annette Iggulden., Redfern, N.S.W., J2
E Barrett
(2005), pp. 88-94, Double dialogues: In/stead, Canterbury, Vic., C1
Creative arts practice, creative industries : method and process as cultural capital
E Barrett
(2005), pp. 1-13, Speculation and innovation : applying practice led research in the creative industries, Queensland University of Technology, Brisbane, Australia, E1
What does it meme? The exegesis as valorisation and validation of creative arts research
E Barrett
(2004), pp. 1-7, Text, Gold Coast, Qld., C1
Reconciling difference: art as reparation and healing
E Barrett
(2003), pp. 1-5, Double dialogues, Canterbury, Vic., C1
Knowing and feeling: new subjectivities and aesthetic experience
E Barrett
(2002), pp. 113-123, Critical psychology : the international journal of critical psychology, London, England, C1
Funded Projects at Deakin
Australian Competitive Grants
PhD Scholarship funding from 'Improving chronic disease outcomes for Indigenous Australians: Causes, Interventions, System Change Application'
Dr Kevin Rowley, Prof Estelle Barrett, Prof Brian Martin, Mr Matthew Lloyd
NHMRC - Program Grant
- 2015: $25,849
Developing new approaches to ethics and research integrity training through challenges posed by Creative Practice Research
Dr Kate MacNeill, A/Prof Pia Ednie-Brown, Dr Carole Wilson, Prof Sarah Miller, Prof Estelle Barrett, Prof Marie Sierra, Ms Katy Greenland
OLT Innovation and Development Grants - Office for Learning and Teaching
- 2017: $1,850
- 2016: $3,000
Supervisions
Jennifer Ellen Murray-Jones
Thesis entitled: Indigenous Families: Beyond the Voids of Colonial History
Doctor of Philosophy, NIKERI Institute
Marceil Ann Lawrence
Thesis entitled: Engagement with Bama on The Upper Mitchell River Watershed
Master of Science (Ecology & Environment), NIKERI Institute
Kella Rose Robinson
Thesis entitled: Alice: Walking In her Footsteps
Master of Arts, NIKERI Institute
Victoria Dunn
Thesis entitled: The Feminine Hero Body Project
Doctor of Philosophy, School of Communication and Creative Arts
Lucas Ihlein
Thesis entitled: Framing Everyday Experience: Blogging as Art
Doctor of Philosophy, School of Communication and Creative Arts
Claire Marguerite Nihill
Thesis entitled: Escape Artists: The Female Visual Artist within Contemporary Women's Fiction
Master of Arts, School of Communication and Creative Arts
Amanda May Fewell
Thesis entitled: Handcrafting Reality
Master of Arts, School of Communication and Creative Arts
Elizabeth Nanlohy
Thesis entitled: The Female Nude: Reclaimation of Self-Image through Arts Practice
Master of Arts, School of Communication and Creative Arts
Wendy Beatty
Thesis entitled: Nude and Naked: Refiguring Voyeuristic Structures through Feminist Photographic Techniques
Master of Arts, School of Communication and Creative Arts
Liza Mc Cosh
Thesis entitled: The Sublime: Process and Mediation
Doctor of Philosophy, School of Communication and Creative Arts
Annette Iggulden
Thesis entitled: Women's Silence: In the Space of Words and Images
Doctor of Philosophy, School of Communication and Creative Arts
Marion Manifold
Thesis entitled: The Return of the Mother: Male Surrealists-Female Bodies
Doctor of Philosophy, School of Contemporary Arts
Elizabeth Nanlohy
Thesis entitled: Fundamentalism Meets Feminism: Postmodern Confrontation in the Work of Janette Turner HospitalPrincipal Supervisor was Lyn McCredden
Master of Arts, School of Literary & Communication Studies
Monica Dorothy Stevens
Thesis entitled: Aboriginal Contemporary Dance: Transforming Choreography with Bama Culture and Technology
Master of Arts, NIKERI Institute
Deborah Kim Swan
Thesis entitled: Bunya Tukka Tracks: Investigating Traditional Travelling Routes of Eastern Australia
Master of Architecture, NIKERI Institute
Janis Adeline Koolmatrie
Thesis entitled: The Social Impact of Gambling in Victorian Koorie Communities
Master of Arts, NIKERI Institute
Tauri Jayde Simone
Thesis entitled: Aboriginal Stockwomen: Their Legacy in the Australian Pastoral Industry
Doctor of Philosophy, NIKERI Institute
Deonne Basaraba
Thesis entitled: FASD: From Isolation to Inclusion in Australian Schools
Doctor of Philosophy (Education), NIKERI Institute
Marlene Drysdale
Thesis entitled: Aboriginal Women and Reconciliation in Australia: Communication Strategies and Symbolism
Doctor of Communication, School of Communication and Creative Arts
George Raitt
Thesis entitled: Alchemy & Ambiguity: Poetic Responses to Visual Art, Primary Portraiture
Master of Arts, School of Communication and Creative Arts