Introduction to En Plein Air Painting is an intensive hands-on painting and drawing workshop that offers students the challenges and benefits of working from direct observation. The term en plein air, literally means' in the open air'. It describes a tradition of painting conducted outside the studio directly from 'nature'. Instruction will include studio tutorials and demonstrations along with painting and drawing expeditions conducted on site. The picturesque setting of the Warrnambool Campus will serve as an ideal location for exploring landscape themes.
You will have the opportunity to:
12 - 15 January 2009 (4 days)
9.30am - 1.30pm
| Day | Materials required | Topics / Activities |
| 1 | Visual diary/sketch book Graphic drawing materials |
Introduction to the workshop Plein air drawing in journals |
| 2 | Stretched canvas and painting materials Visual diary |
Introduction to painting the landscape Instruction/demonstration in 'building' or 'constructing' a painting. Principles of colour and practical colour mixing. |
| 3 | Stretched canvas and painting materials Visual diary |
On site painting expeditions, ongoing feedback and practical demonstrations |
| 4 | Stretched canvas and painting materials Visual diary |
On site painting, discussion of work, self evaluation, appreciation of the visual. |
Simon Grennan
Simon is an artist and educator, working in the disciplines of painting and printmaking.
He received his Bachelor of Fine Art degree from the Queensland College of Art in 1995 where he continued to lecture in printmaking and drawing for a number of years. His work is held in both public and private collections throughout Australia.
His current research at Deakin has lead to an emphasis on more experiential approaches to teaching and learning, particularly field work that extends beyond the traditional classroom/ studio space. Simon is currently an associate lecturer in visual arts at Deakin University where he teaches painting and drawing. His current studio practice explores landscape themes. He is particularly interested in the durability of this tradition and its relationship to both evolutionary psychology and popular culture.
Participants will need to bring
the following:
• Range of graphite pencils: HB, B, B2, B4 and sharpener
• A4 Visual Diary/ visual journal (i.e. your sketch book - pages should
not be too smooth or too textured)
• Acrylic or oil paints, or both. (if using oil paint, painting medium
will be provided – bring some glass jars
for storage. Recommended basic palette: Pthalocynine Blue, Cadmium Red,
Cadmium Yellow, White, Yellow
Ochre, and Burnt Umber
• Brushes - sizes # 2 # 4 # 8 # 12. (Very important that you buy reasonably
good quality brushes. One good
brush is better than 20 cheap ones!)
• 1 large flat palette (not the ones with the paint mixing ‘wells’ in
them)
• Painting rags
• Umbrella
• Wide brim hat
• Sun screen
• Insect repellent
• Extra jacket/ rain coat
• Garbage bags
• View finder (optional but maybe useful)
• Water bottles
$295.00 (GST Inc) per person
Please complete the Registration form (25KB) and forward with payment details to:
Jan
McCosh
Faculty of Arts and Education
Deakin University
PO Box 423
Warrnambool
Victoria 3280
Fax: 03 556 33534
Email: jan.mccosh@deakin.edu.au
Phone: 03 556 33314
Short course enquiries: |
|
| artsed-shortcourses@deakin.edu.au | |
| Jan McCosh 03 5563 3314 Warrnambool |
Anne Roubin 03 9244 3901 Melbourne |