Current exhibition
Text – Re read
When: 24 October–15 December 2023
Co-curated by Stephen Wickham and Leanne Willis, this exhibition is a celebration of thoughtful engagement with ideas. Text – Re read acknowledges the importance of words, texts, articles and books, from illuminated manuscripts to la poésie concrete, words and the ideas therein that remain central to art-making and its reception.
Much has been said about the inspirational muses and the ‘Eureka moment’ – the flash of insight where sources and origins are revealed and then manifested. This exhibition highlights a slow consideration of the complex relationships between artists, artworks and the ideas embodied in books and many other material sources. Text – Re read is the second exhibition of the Deakin University Centre for Abstract+Non-Objective Art, The Void: Visible. Abstraction & Non-Objective Art being the inaugural in November 2017.
Participating artists include: Andrew Christofides, Tracey Coutts, Janet Dawson, Lesley Dumbrell, Suzie Idiens, Raafat Ishak, Simon Klose, Sean Loughrey, Andrew Rogers, Wilma Tabacco and Stephen Wickham.
Andrew Christofides
Artwork: Eternal Space III, 2015, photography Michele Brouet.
Play interview with Andrew Christofides
Tracey Coutts
Artwork: Weave, 2016, acrylic on marine ply, photography by Michael McMullan.
Play interview with Tracey Coutts
Janet Dawson
Artwork: Easter Sunday Moon, 2019, acrylic and oil on panel, Deakin University Art Collection, purchase 2023. Photography Simon Peter Fox
Play interview with Janet Dawson
Lesley Dumbrell
Artwork: Gridelin, 2007, oil on linen. Courtesy of the artist and Charles Nodrum Gallery, photography Simon Peter Fox.
Play interview with Lesley Dumbrell
Suzie Idiens
Artwork: Untitled #3 (Blue Wedge) 2017, MDF, Polyurethane, photography Fiona Susanto.
Play interview with Suzie Idiens
Raafat Ishak and Sean Loughrey
Artwork: Fanflag 7, Ocular Lab, 2006, Courtesy of the artists and Sutton Gallery, photography courtesy the artists.
Play interview with Raafat Ishak and Sean Loughrey
Simon Klose
Artwork: no title, orange/black, Dec 2022, photography Simon Peter Fox.
Play interview with Simon Klose
Andrew Rogers
Artwork:I Believe IV, 2022, bronze and stainless steel, photography Gavin Hansford.
Play interview with Andrew Rogers
Wilma Tabacco
Artwork: Lariat, 2022, oil on linen Courtesy the artist and Gallerysmith, photography Mark Ashkanasy
Play interview with Wilma Tabacco
Stephen Wickham
Artwork: Black Cruciform as Stupa Floor Plan 1996, oil on linen, Deakin University Art Collection, donated by the artist 2017, photography Simon Peter Fox.
Play interview with Stephen Wickham
Virtual tour artwork labels
Artwork left to right on Gallery wall
Janet Dawson
Easter Sunday Moon, 2019, acrylic and oil on panel
Deakin University Art Collection, purchase 2023.
Janet Dawson
Untitled, 2021, charcoal on paper, Deakin University Art Collection, donated through the Australian Government's Cultural Gifts Program by Anouk Hulme in memory of Etta and Emmanuel Hirsh, 2021
Janet Dawson
Parts of Fortune, 1981, sprayed stencil, Deakin University Art Collection, purchase, 1981
Raafat Ishak and Sean Loughrey
Fanflag 7, Ocular Lab, 2006
Courtesy of the artists and Sutton Gallery
Andrew Christofides
Eternal Space I, 2015
acrylic on canvas
Andrew Christofides
Eternal Space II, 2015
acrylic on canvas
Andrew Christofides
Eternal Space III, 2015
acrylic on canvas
Tracey Coutts
Untitled Series 1 (lines contract in), 2013
oil on marine ply
Tracey Coutts
Untitled Series 2 (lines expand out), 2013
oil on marine ply
Tracey Coutts
Weave, 2016
acrylic on marine ply
Suzie Idiens
Untitled #9 (Pink Vertical) 2016
MDF, Polyurethane
Suzie Idiens
Untitled #10 (Blue Vertical) 2016
MDF, Polyurethane
Suzie Idiens
Untitled #3 (Blue Wedge) 2017
MDF, Polyurethane
Lesley Dumbrell
Gridelin, 2007
oil on linen
Courtesy of the artist and Charles Nodrum Gallery
Simon Klose
Upper left:
Simon Klose
no title, orange/black, Dec.2022
Lower left:
Simon Klose
no title, green black/cream yellow (oil /gold), June 2023
Right:
Simon Klose
no title, orange/pale green, April 2023
Wilma Tabacco
Lariat, 2022
oil on linen
Courtesy the artist and Gallerysmith
Stephen Wickham
Artwork left to right:
Stephen Wickham
Ink pen on paper, 1986-1991
Stephen Wickham
Black Cruciform as Stupa Floor Plan 1996, oil on linen, Deakin University Art Collection, donated by the artist 2017
Stephen Wickham
But it’s getting there, 2023, oil on Linen
Artwork left to right on floor in centre of Gallery
Andrew Rogers
Artworks left to right:
Andrew Rogers
I Believe I, 2021, bronze and stainless steel
Andrew Rogers
I Believe II, 2021, bronze and stainless steel
Andrew Rogers
I Believe IV, 2022, bronze and stainless steel
Cabinet contents – cabinet 1 left side
Left to right:
Lesley Dumbrell
Book:
Ian Paterson, A Dictionary of Colour – A lexicon of the language of colour, Thorogood Publishing Ltd, London, 2003
Suzie Idiens
Book:
Singular Forms (Sometimes Repeated): Art from 1951 to the Present. Guggenheim Museum Publications. 2004. ISBN: 0-89207-308-X. Skinning Art. Mark C. Taylor. Page 25.
Stephen Wickham
Book:
Kasimir Malevich’s Black Square and the Genesis of Suprmatism 1907-1915W. Sherwin Simmons Garland Publishing, Inc, New York & London. 1981. ISBN 0-8240-3942-4 AACR2 Display page 314.
Wilma Tabacco
Book:
Charta: Dal papiro al computer, G. M. Cardona, Arnoldo Mondadori Editore, S.p.A., Milano
Simon Klose
Book:
Exhibition Catalogue, Two Decades of American Painting, Waldo Rasmussen (Lucy Lippard, G.R. Swenson), The Museum of Modern Art, New York Date 1967
Tracey Coutts
Artist book
Rotated Cube, 2014
artist book printed on Sovereign Offset 180gsm paper
Tracey Coutts
Book:
Design Rehearsals – conversations about Bauhaus lessons. Spector Books, Leipzig. 2019. ISBN 978-3-95905-270-2. Part 2: Questioning Knowledge. Tim Ingold In Conversation page 97.
Raafat Ishak and Sean Loughrey
Book:
El Lissitzky. Life-letters-texts. Sophie Lissitzky-Küppers. Introduction by Herbert Read.
Published by Thames and Hudson, London, 1980.
Janet Dawson
Book:
First Man: The Life of Neil A. Armstrong, James R Hansen, Simon & Schuster USA, 2005. ISBN 0-7432-5631-X
Cabinet contents – cabinet 2 right side
Left to right:
Andrew Christofides
A series of 12 working drawings, 2014 - 2021
Andrew Christofides
Book:
The Civil Architecture of Vitruvius, 1813 edition. Vitruvius Pollio, Marcus. Translated by William Wilkins, London, Printed by Thomas Davison, Whitefriars. For Longman, Hurst, Rees, Orme, and Brown, Paternoster-Row. 1812.
Andrew Rogers
Andrew Rogers
Cast bronze plaque with work relating to the text Sapiens A Brief History of Humankind.
Book:
Sapiens; A Brief History of Humankind, Yuval Noah Harari, Harper; Illustrated edition, 10 February 2015 [English]
ISBN 9780062316097
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Deakin University Art Collection
The Deakin University Art Collection is a unique and treasured collection of contemporary artworks by some of Australia’s leading artists. The collection reflects the cultural aspirations of Deakin and plays a significant role in creating a welcoming environment on campus, enriching the experience of university life and contributing to philosophical inquiry and creative research.
The collection first came together with artworks from Deakin University’s antecedent institutional collections including the Victoria State Teachers College, Prahran College of Advanced Education, the Douglas McDonnell and others. It now consists of approximately 2400 artworks by over 900 artists.
The collection is comprised of examples of innovative creative practices including achievements in painting, sculpture, print, drawing, ceramic, photography, textiles and includes one of Australia’s largest holdings of artist books. Importantly, it is home to cherished artworks by First Peoples, including many artists that are based in South-Eastern Australia. It also houses artworks by our past and present students and staff, telling a special story of the Deakin University origins and its community.
A selection of important works in the collection are by artists such as: Hoda Afshar, George Baldessin, Gordon Bennett, Uncle Jim Berg, Ronald Bull, Arthur Boyd, Stephen Bram, Maree Clarke, John Cato, Vicki Couzens, Mikala Dwyer, Fayen d’Evie, Robert Fielding, Emily Floyd, Sally Gabori, Simyrn Gill, Aunty Marlene Gilson, Elizabeth Gower, Inge King, Robert Klippel, Hayley Millar-Baker, Sidney Nolan, Lin Onus, John Olsen, Robert Rooney, Mike Parr, Kerrie Poliness, The Ken Sisters, Jenny Watson, Ron Robertson-Swann and Fred Williams among many others.
Maintaining and developing this collection demonstrates the University’s ongoing interest in the study, patronage and advancement of the visual arts in Australia. Acquisition highlights can often be found through our social media.
We are always happy to consider donations from artists and collectors as direct donations or through the Australian Government Cultural Gifts Program, please email us for more information. If you have a research or collection enquiry, please contact the Art Gallery team.
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Deakin University manages personal information it holds, including requests by individuals for access to their personal information, in accordance with the Privacy and Data Protection Act 2014 (Vic). Individuals have a right to gain access to their personal information held by the University. Further information about privacy at Deakin may be obtained by contacting the Privacy Officer at (03) 5227 8524 or at privacy@deakin.edu.au.
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This statement outlines how Deakin University handles the personal information of artists whose works are held by the Deakin University Art Gallery.
Purpose of collection
Deakin University collects an artist's personal information for the primary purposes of acquisition of an artwork, management and maintenance of the University's art collection and for the purposes of exhibiting, interpreting and promoting the artwork, the artist and the Art Collection.
Means of collection
Deakin may collect personal information from the artist directly during interactions with Deakin staff, most often staff of the Art Collection and Galleries Unit. Deakin may also collect personal information from third parties (e.g., artists' agents, owners of artwork, other gallery owners) or publicly available print or online resources.
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An artist's personal information may be used by the Art Collection and Galleries Unit in preparation of interpretive materials, catalogues and promotional materials, all of which may be in print or online format. For these purposes, an artist's personal information may also be used by other operational units of Deakin (e.g., its Marketing Division)
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The gallery is open Monday–Friday, 11am–5pm*
Deakin University Art Gallery
Building FA
Melbourne Burwood Campus
221 Burwood Highway
Burwood, VIC 3125
To find the gallery on campus, enter Deakin University via Entrance 1, (Holland Avenue), off Burwood Highway. Continue straight for 500 metres. As you pass the overhead foot bridge, the gallery is on your right. If arriving by car, you can park in any of the bays on the left of Holland Avenue. Alternatively, follow Holland Avenue all the way around to the second parking entrance.
Footnotes
Banner image: Adrian Mauriks, ‘Strange Fruit 2010’, painted epoxy resin, 235 x 700 x 200cm. Deakin University Art Collection. Gift of the artist, 2020. Photography Simon Peter Fox. Image courtesy the artist estate. Pictured in situ at the Melbourne Campus at Burwood.
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