Publications
Memory image matter: trauma and acts of unforgetting
E Barrett
(2017), Vol. 16, pp. 1-22, Studies in material thinking, Auckland, New Zealand, C1
Abjection and ambiguity in the works of Catherine Bell
E Barrett
(2016), pp. 130-143, Abject visions: powers of horror in visual art and culture, Manchester, Eng., B1
Re-positioning traditional craft: knowledge affect and social identity
E Barrett
(2016), pp. 36-41, Repositioning folklore and Indigenous knowledge systems, Odisha, India, B1
Relationality and ethical know-how in Indigenous research
E Barrett
(2016), pp. 1-15, iDARE 2016 : Proceedings of the Creative Arts and the Ethics of Innovation Conference, Melbourne, Victoria, E1
Guidelines and principles for pre-ethical approaches to Indigenous Australian research
E Barrett, B Martin, J Koolmatrie, D Dank, D swan, C creed, M Stephens, A Matthews, B Webb, L Solomon, D Gilson, D Toby
(2016), pp. 1-3, 2016: Proceedings of the Art Ethics and Indigeneity Symposium, Melbourne, Victoria, E1
Materiality, language and the prduction of knowledge art, subjectivity and Indigenous ontology
E Barrett
(2015), Vol. 21, pp. 5-14, Cultural studies review, Sydney, Australia, C1
Memory, image, matter: trauma and acts of un-forgetting
E Barrett
(2015), pp. 1-1, NewMats 2015 : Transversal Practices: Matter, Ecology and Relationality : Proceedings of the New Materialisms 2015 International Conference, Melbourne, Vic., E1
Abjection, affect and othering through art
E Barrett
(2015), pp. 1-10, Papers from the Kristeva Circle 2015 Meeting, Memphis, Tennessee, E1
Situating creative arts research as 'successor science'
E Barrett
(2014), pp. 51-66, Doctoral writing in the creative and performing arts, Oxfordshire, U. K., B1
Introduction : Extending the field : Invention, application and innovation in creative arts enquiry
E Barrett
(2014), pp. 1-22, Material inventions applying creative arts research, London, Eng., B1
Re-�positioning traditional craft: knowledge affect and social identity
E Barrett
(2014), pp. 1-10, IFC 2014: 38th Indian Folklore Congress. Folklore and the status of knowledge systems among the tribal communities of India, Centurion University of Management and Technology, India, E1
Materiality, affect, and the aesthetic image
E Barrett
(2013), pp. 63-72, Carnal knowledge: towards a 'new materialism' through the arts, London, England, B1
Beyond the cooked and the raw: abjection and art as transgression
E Barrett
(2013), Vol. 1, pp. 6-19, Zetesis, Birmingham, Eng., C1
Aesthetic experience and innovation in practice-led research
E Barrett
(2010), pp. 1-9, ACUADS 2010 : Proceedings of the Australian Council of University Art and Design Schools : A View into the Future of Australian Art and Design Schools, Launceston, Tas., E1-1
Memory, photography, and the politics of abuse : the ambiguous nature of photography
E Barrett
(2009), Vol. 1, pp. 16-30, Australasian journal of artshealth, Newcastle, N.S.W., C1
Foucault's 'What is an author' : towards a critical discourse of practice as research
E Barrett
(2007), pp. 135-146, Practice as research : approaches to creative arts enquiry, London, England, B1
E Barrett
(2007), pp. 159-164, Practice as research : approaches to creative arts enquiry, London, England, B1
Introduction : art as the production of knowledge
E Barrett
(2007), pp. 1-13, Practice as research : approaches to creative arts enquiry, London, England, B1
Studio enquiry and new frontiers of research
E Barrett
(2007), Vol. 1, pp. 1-2, Studies in material thinking, Auckland, N.Z., C1
Experiential learning in practice as research: context, method, knowledge
E Barrett
(2007), Vol. 6, pp. 115-124, Journal of visual art practice, Bristol, UK, C1
All that is solid melts into air : recent paintings by Barbara Bolt
E Barrett
(2007), pp. 1-5, NoneNone, Melbourne, Vic., J2
Descant : unlocked tongues [exhibition catalogue]
A Iggulden, E Barrett
(2006), pp. 1-2, Descant : unlocked tongues - Annette Iggulden., Redfern, N.S.W., J2
E Barrett
(2005), pp. 88-94, Double dialogues: In/stead, Canterbury, Vic., C1
Creative arts practice, creative industries : method and process as cultural capital
E Barrett
(2005), pp. 1-13, Speculation and innovation : applying practice led research in the creative industries, Queensland University of Technology, Brisbane, Australia, E1
What does it meme? The exegesis as valorisation and validation of creative arts research
E Barrett
(2004), pp. 1-7, Text, Gold Coast, Qld., C1
Reconciling difference: art as reparation and healing
E Barrett
(2003), pp. 1-5, Double dialogues, Canterbury, Vic., C1
Knowing and feeling: new subjectivities and aesthetic experience
E Barrett
(2002), pp. 113-123, Critical psychology : the international journal of critical psychology, London, England, C1
Funded Projects at Deakin
No Funded Projects at Deakin found
Supervisions
Monica Dorothy Stevens
Thesis entitled: Aboriginal Contemporary Dance: Transforming Choreography with Bama Culture and Technology
Master of Arts, NIKERI Institute